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Sculptorvox magazine is challenging ideas of what sculpture means
Art & design
Contemporary art
  • 144 pages 
  • 21.5cm x 28cm 
  • Published in Nottingham, 2018 

Sculptorvox goes beyond the conventional idea of seeing sculpture as ‘object’ and delves into the inspirations, processes and careers of artists who work directly or indirectly with notions of three dimensions. Focusing on the work behind the work, it spans a range of issues and interests, including identity, politics, social history and the human body.


This issue is themed around ‘Blood and Wire’, representing the physical flesh, and the ways in which it is represented and displayed in art. In the words of editor-in-chief Daniel Hawley-Lingham, “It is the bond that ties, the desire to connect, the need to communicate and sometimes to simply be. It is about the stuff of human existence and the sometimes jarring experience of the human condition.”


In this issue:


  • Paloma Tendero uses her body as her medium, in nude still life portraits that explore its vulnerability and genetic history
  • Sol Bailey-Barker on the found objects he chops and welds into installations and artworks
  • Daniel Blom on the strange, marble-like, humanoid sculptures he creates from melted white plastic
  • Plus lots more artists explore the reasons why they do the things they do
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