The Idler is something of a cult British institution. An independent magazine that existed before the internet had ushered in today’s print publishing renaissance, this 48th issue was published in 2016 as the first instalment of a new redesign that brought fresh purpose to a title that has been around since the early 90s.
As its name would suggest, The Idler likes to take things slowly. But it doesn’t stop there, spinning slowness out into a contrarian rejection of modern life and its variously unreasonable pressures. With its simple design and fantastic writing, it makes for a great and utterly original read.
In this issue: